Underground Oz Poetry     ozpoetry.lingama.net/news

A Word or Two
by evo Monday, Dec 4 2006, 10:17am
international / poetry / post

The word assassin comes to us from the hashish eaters who were commissioned to dispatch/eliminate enemy leaders – an interesting tactic that survives today in Iraq and other Muslim regions. Target the presented puppet leadership and force the faceless powers to reveal their real intentions to the world. Who would lament the elimination of those who would do the bidding of slave masters? Are they not worse than their masters? Theirs is the work of traitors – for thirteen pieces of dung they sell their OWN people to slave merchants.

Slave masters do not hide their intentions, they manipulate as the need arises, but who would sell one’s brethren for a few crumbs if not those deserving of the most extreme solution? The clinical or surgical removal of the cancerous tissue that infects the general population becomes a necessity, not an option, AN IMPERATIVE!

Beware the poets, jesters, jugglers, bards and clowns for they on honey-dew still feed and drink the ambrosia of paradise; it is they who have written and continue to write ALL your religious narratives, heroic epics and modern mind-shaping slogans. The proof of infinite creation issues from the pens of ‘intoxicated’ other–worldly travellers and is offered in times of despair; the vaults of unreason are breached by the words of beggars.

On the wings of chaos perception fractures 'realities' and extends beyond reason and unreason; bravery is rewarded with visions of renewal and the food of paradise. From ecstasy to perpetual bliss, those who dare achieve the prize.

What would YOU, the nectar of paradise or the shit sandwiches on offer from conservatives?


KUBLA KHAN by Samuel Taylor Coleridge

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.

So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.



TYGER by William Blake

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?

And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

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“I’m guided by a signal in the heavens
I’m guided by the birthmark on my skin
I’m guided by the beauty of our weapons

First we take Manhattan
Then we take Beijing!”

Leonard Cohen

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“Something is happening but you don’t know what it is, do you Mr. Jones?”

Bob Dylan


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